The doyen of Second Life Machinima, Chantal Harvey brings to us a playful piece
'Robi - oh my head', that explores some magical second life scenes. This film is now part of MachinimUWA VIII: Pursue Impossible, the 8th UWA Short Animated Film Challenge. UWA's L$560,000++ Pursue Impossible Art & Film challenges are so themed in honour of UWA adopting Pursue Impossible as their clarion call in real life. CLOSING DATE FOR SUBMISSIONS IN 31ST OCTOBER 2015.
may interpret the theme 'Pursue Impossible' as you see fit, however the
average viewer would need to be able to appreciate how you fit this
theme (alternatively, please indicate in the notes that accompany your
film how it fits). Your machinima must be made specifically for this
challenge, and this should be indicated in the opening credits 'For The
University of Western Australia's MachinimUWA VIII: Pursue Impossible'
(or end credits if it works better creatively). You do not have to film
on the UWA sims, however this of course will be appreciated, and there
is a Special UWA Prize which will be made available to a film which
starts at the same point as the UWA Pursue Impossible Video, at Winthrop Clock Tower.
The Pursue Impossible Challenges featured on Australian TV, on a programme called 'The Couch' which is hosted by Fred Mafrica. This long running series into its 533rd episode (since 2002). It broadcasts on Foxtel in Australia on Aurora Channel 183.
LUMIERE (with the blessings of those who love him)
I heard the sad news that Lumiere Noir, the legendary creator of the Ivory Tower of Primitives has moved on from the mortal plane. Lumiere one of the kindest and most generous people with his knowledge and he was mentor to a whole generation of artists and creators some of whom count among the best artists in Second Life today. Lumiere had been on the judging panels of the UWA Art and Film Challenges these past few years and it was an honour to have worked with him. Vincent Frost (Lumiere), you live on in our hearts and minds always. This world needed you in it more than 52 years... but in those years... WOW...
This is a little something, with dedications to him by a few people:
From TOSHA TYRAN (SL Partner) Oh Love, you are gone and I wanted to tell you so much yet: how I love you cherish you.
How I love your voice your stories your laughter your thoughtfulness your sadness too.
Watching movies with you endless discussions and always your tenderness your gentleness your sweetness which not only enclosed me but all people that surrounded you.
Love, you are gone but never for me you and I we were of one mind one soul and that will never change.
FROM GWEN CARRILON Dear Vince,
What you loved about your favorite book of Japanese folk tales, were the
unexpected endings to the stories.You once told me that those stories
were great because they didn't always have happy endings.You said those
stories were great because they unsettled the reader and caused one to
pause and think.That was you all over! This was unexpected. You never
did the expected.
You always taught others the benefits of taking the long and scenic
route.You even pushed me to walk across town with you! I saw more of my
own neighborhood with you than I had the whole time I lived there!
"Walking is good for you! Things look and sound different when you walk You can see things you'd miss while in a car."
Again- you were right. (Though my feet didn't thank you !) You knew that the long way around was often the most rewarding.
You tried to teach me to speak Mandarin! Yes ...you tried, ( I never
learned...but that was my fault.) because it was inconceivable that you
could know something and not share that knowledge. You were are born
teacher. Your students at school were very fortunate to have you in
Your puns were painful ( I loved our pun wars! ) and your sense of humor
quirky. I loved your mix of sarcasm with philosophy,your "Howdy howdy
howdy" 's and your "toodles".
Teacher, artist, writer, crusader, adventurer, orator, designer,
builder, dreamer, romantic, philosopher, spiritualist, optimist, fellow
goofy person. Friend. To say that I will miss your presence, is an
understatement. I am one among many that were lucky enough to call you
[2009/06/27 20:02] Lumiere Noir: ready! Where shall we meet again, in thunder, lightning or in rain?
[2009/06/27 20:03] Gwen Carillon: send tp to the center of your consciousness ...I'll meet you by the dust bunnies
"Toodles", Vince,, and one last hug.
FROM JOPSY PENDRAGON (another legend of SL) You were a muse, a source of inspiration,
creativity and mad tinkering... and you brought out the best in all of
us. I'll miss you and all the wonderous things that will never be
created without you.
FROM ELIZA WIERWIGHT
I've struggled for days to write this, I'm very poor at parting with the people that I value. So I compartmentalise the grief associated rather than embrace it head on. In the terms of my friendship with Lumi, the memories, the things I learnt from this Master Weaver of Prim, the pleasure of constantly observing his effortless generosity and not for a moment forgetting the laughter we collectively shared. We'd need a barrel of Mega prim of proportion of storage to hold all that. Some of you will recall the kind of Mega prim I'm referring too, the kind banned around 2011. The type had the potential to spread across multiple regions. We wouldn't be going for a box shape though, it would be a Torus all the way, Lumi loved a good torus, it was his favourite prim type. He in fact reminded a group of us one day that we all came out of a torus, you can't argue with that.So I trawled my diabolical Inventory a few days ago when I heard the incredibly sad news of Lumi's far too early passing. Looking for images of him during our mis-adventures so that Jay could share them here on this blog, looking for remnants of my friend in prim & code & text. Remembering exactly how I'd been fortunate enough to make his acquaintance & as time rolled on, his friendship. I had it immediately, I just wasn't immediately aware. In March 2009, I explored for my first time, an incredible build, Planet Mongo. So luminous, so complex, so bloody perfect. So hedonistic in build terms and entirely outside of the realm of anything else I'd ever envisaged Inworld. I was captivated. It ticked every creative box in me, the prim work I purred, the textures I wrung my hands with delight. I had barely toyed with photography Inworld at that point being less than a year into SL and yet I found myself compelled to grab vignettes of the pixels for my very own. One of those SL memories when you discover the work of someone and later when you log out you so get it, so understand the allure of the craft. Sort of prim euphoria....... Approximately 6 months later I was going through my Inworld images and come across those Planet Mongo textures and mused how beautiful they were but also had the potential to be on one of my hanging Kimono builds. The builds I was constantly tweaking and returning too because it was the first time I felt I was articulating in prim something that was inherently me. I slipped the texture onto the raw prim form, it was magic. A texture made entirely from Lumi's skill & poetry of design. Now one thing I was fortunate to learn early in my building days was to give fair and appropriate credit, at the very least, seek permission when something focal in your work is derived outside your own immediate realm. So I sent this 'Lumiere Noir' a notecard, explaining what I'd done, asking whether he was okay with it all. Not long after I get an IM from Lumi, he teleports over to baby Patron to see the Kimono, gives his entire consent, rezzes his latest UFO build and suddenly we're off. Creating havoc all over my half SIM, manic particles trailing, laughing like a lunatics & I suspect somewhere midst the chaos he's chattering about prim physics & server response times & scripting.Also around this time I'm predominantly keeping company of some inspired Builders, again serendipity, you know who you are, no need for name dropping. Sublime group of marauding miscreants we were. Mentioned in passing this really nice "Lumiere" dude I'd met, only to be sternly informed with some immediate reverence that I'd spent the afternoon hanging out with "The Grandfather of Building in Second Life", lofty for someone as young as Lumi huh. Not to mention (as I haven't) the incredible skill base of those paying the accolades. I cringed thinking he'd been subjected to looking at my work. The other inherent charm of Lumi is he never grand stranded his own value, I think it amused him to some degree but he never loitered there. See Lumi had simply friended me, pertaining to see 'something' in what I was attempting to do Inworld & would drag me over to his SIM to see his recent works in progress which interestingly ALWAYS became an informal one on one Lumi patiently teaching Eliza to build class (he had a long streak of masochism in those days too apparently) I knew at this point he'd created the Ivory Tower and the legacy that was for many fledgling builders, I'd loitered there in times prior. Those that know me very well are aware that unless I'm in a specific head space I've the attention span of a flea. In those days great Builders just hadn't developed the rockstar status I attributed to them in later years. That visceral reaction when you know someone truly exists beyond the pale. Lumi was somewhere beyond that class, just not to him. Naturally components of our friendship weren't all about building, Lumiere was so multi faceted, he also used to read books in voice over at Planet Mongo for groups of devotees on certain days a week. Risqué science fiction, another joy. He'd slap me on the back of the head via IM prior to starting and command my attendance. Just never could say no. As a side note one of the most kitsch abhorrent works of mine, intentionally in this instance lol, 'The Mr T Stained Glass Window" gifted to Lumi as a joke, he genuinely adored and hung behind the seat where he read those stories. So I sat there and squirmed with delight. MY work in Lumi's build, I mean seriously. Does it get any better than that ? Well possibly, but in those days I was buoyed & that fostered a confidence that extended far past my actual ability to build, great Teachers do that. So we're firm friends, I'm still getting building classes one on one & feeling guilty. Posed the potential of Lumi extending the premise to a slightly larger audience . He agreed, dragged the League of Muses into the class realm and the apocalypse of fun starts. Don't get me wrong we were learning, constantly, but the fun had by all was off the charts. You get that many creative close friends in one spot it gets crazy, a special kind of crazy. I've touched base with a few of these friends over the last few days, we're all on the same page, feeling the immense gravity of the loss of Lumi, reminiscing over his skill, his generosity, his superb sense of play. Promising each other to down tools or other and spend more time together. Not a bad legacy Lumi, because you know at the end of the day it's a select few of us that will earn the merit of anyone actually recalling what we created Inworld, the friendships though, the memories and feelings, they'll quite thankfully never be gone & neither are you my friend, neither are you. I'll let Keith handle the last part and I quote.
"Keith Extraordinaire: *bows to the Luminator*" You nailed it Keith.______________
Preludes in Higher Learning and Chaos. Lumiere Noir: E has already quite correctly noted my obsession with the torus Eliza Wierwight: I'm gifted finaaaaaaaaally ! Lumiere Noir: I adore kitschAfter rezzing an incredibly intricate template he'd made earlier which had all our jaws dropped.Lumiere Noir: I find this stuff very freeingI think my feeling at that point was something like "WTF"On the topic of home crafted micro prim, we weren't very PC I'm afraidLumiere Noir: you should wind up with something even smaller than a Soylent Green crackerLumiere Noir: okay....on to the other really super tiny micro prim making methodLumiere Noir: this will yield something about the size of a grain of sandLumiere Noir: I'm not really sure what it will be useful forCuwynne Deerhunter: shields his eyesLumiere Noir: but when you want to cast prims into your enemies eyes...make a bunch of these and set them physical.Lumiere Noir: the prim's path is...well thing of it as a wad of play doughLumiere Noir: or ordinary dough if you're from a country with no play-dough!Lumiere Noir: the profile is what gives the prim it's horizontal shapeLumiere Noir: and the path gives it it's verticle shape...I hope that makes senseLumiere Noir: we're going to cut it along it's path, like a pieCuwynne Deerhunter: indeed Lumiere Noir: or a do-nutLumiere Noir: I like do-nut metaphorsAshera Enoch likes donuts.Cuwynne Deerhunter: ~has some rude ones for later~Lumiere Noir: and this is a pretty good base for a ring, you can shrink it down and use it for oneEliza Wierwight: oh myLumiere Noir: lolAriadne Barzane: Was waiting for that to start!I can't share the rest of that group conversation, it takes a salacious dive into Hell and mirth.........
Multiple award winning American filmmaker, Chic Aeon's brings us 'Folding Time', a soulful film that touches the very soul. This is the first film to be part of MachinimUWA VIII: Pursue Impossible, the 8th UWA Short Animated Film Challenge. UWA's L$560,000++ Pursue Impossible Art & Film challenges are so themed in honour of UWA adopting Pursue Impossible as their clarion call in real life. CLOSING DATE FOR SUBMISSIONS IN 31ST OCTOBER 2015.
You may interpret the theme 'Pursue Impossible' as you see fit, however the average viewer would need to be able to appreciate how you fit this theme (alternatively, please indicate in the notes that accompany your film how it fits). Your machinima must be made specifically for this challenge, and this should be indicated in the opening credits 'For The University of Western Australia's MachinimUWA VIII: Pursue Impossible' (or end credits if it works better creatively). You do not have to film on the UWA sims, however this of course will be appreciated, and there is a Special UWA Prize which will be made available to a film which starts at the same point as the UWA Pursue Impossible Video, at Winthrop Clock Tower.
The University of Western Australia (UWA) is happy to announce the launch of 'PURSUE IMPOSSIBLE, the 6th UWA Grand Art Challenge and MachinimUWA VIII with a starting prize pool in excess of L$400,000. Sponsored by Tom Papas & SciFi Film Festival, Reign Congrejo & BOSL, LaPiscean Liberty & SL Artist, AviewTV, Pixel Bits, TheDove Rhode with S&S Gallery of SL Fine Art & Peace Is A Choice Gallery, Virtlantis, Phillip Vought, Dr Valerie Casey, Carolyn Steele & York University (Canada), Taralyn Gravois, johannes1977 & Windlight Magazine, Eleanor Medier & The Sim Street Journal, UWA Marketing & Communications, as well as The UWA Virtual Worlds Project. We hope you are inspired by the 'PURSUE IMPOSSIBLE' theme to create many wondrous works of art and film as you have been through the years! (Please note the major rule & special prize guidelines as well as the Audience Participation Prizes for watching the machinima. All machinima will be highlighted on the UWA Blog & SL Artist.)
WHAT: 6th UWA Grand Art Challenge & 8th UWA International Short Film Challenge (MachinimUWA VIII). You may enter the art challenge, the film challenge, or both.
WHEN: Entries close at Midnight SLT, 31st October 2015. Winners will be announced in December 2015.
The theme is "PURSUE IMPOSSIBLE." Artists & filmmakers can interpret the theme as they see fit. What is your impossible? What is the impossible goal you have conquered, or that you have seen your loved ones or your heroes conquer? What are the things you once thought were impossible, but now are able to overcome? How do virtual worlds help you to visualize, create, and push the boundaries of possibility? What are the things which seem impossible now, which you think you will attempt to hunt down? What are the impossibilities of the mind? of the heart? of the soul? Is it the pursuit of the impossible that takes precedence? Or defeating it? You the artist... You the machinimatographer...You decide.
WHY THIS THEME
Those who pursue what may at first seem impossible are the ones who keep the world turning. What if Ghandhi did not believe he could overcome the impossible for his country? What if Dr Fiona Wood did not believe in second skin for burn victims? What if Professor Barry Marshall did not believe in himself and use himself as a human guinea pig for the benefit of mankind?
The theme 'Pursue Impossible' was chosen in honour of the new brand that UWA unveiled in May 2015. UWA's Karen Carreiro explained, “It says so much about our University – who we are, what we do and how, every single day, our researchers, students and academics are working to shape a better future.”
MAJOR RULES FOR ART
Artwork entered should be able to be interpreted by the casual viewer
as being representative of the theme. Where the link to the theme is
difficult to ascertain, this should be referenced in a notecard
accompanying the work.
Each artist may submit only one entry. There is a 150 LI (land
impact) limit. (Note that you may not get around the limit by using
Copy/Mod/Transfer permissions are not a requirement, however COPY perms are appreciated.
Entries should be submitted along with a completed Artist Notecard (which includes your name, city,
name of artwork and a description of artwork) to the drop box in the UWA gallery (SLURL). If you have problems with
the receiver, give artwork to Jayjay Zifanwe or FreeWee Ling. These rules and blank notecard
templates are available by touching the drop box at the UWA Art Challenge platform.
We discourage the use of parts that you cannot copy and
transfer to us for installation. All work must be free of copyright
issues. If you utilize any 3rd party
materials, such as music/sounds/media, textures, or prefabricated parts,
have permission from the creator(s) and you should acknowledge
their work in your artist's notecard.
If you have special requirements for space, media, etc., please contact FreeWee Ling, curator, for assistance.
Sounds, lighting, particle effects, etc., should be scripted to turn
off when not in use. You may be asked to provide a revised entry if it
is too intrusive or interferes with the display of other works.
Exceptionally large or complex builds will be placed on platforms
above the gallery with a teleport (TP) device and poster on the gallery
floor and a return TP on the platform. You may provide a TP object and/or poster (no more than 2 LI) or
we can place one for you. TP objects should be set to copy/mod and given
to FreeWee Ling to add scripts and to place.
Exceptionally laggy scripts may be rejected or only allowed if revised.
As with all our public programs, an entry may not be accepted if it
is deemed to be excessively abusive, violent, offensive, bullying, harmful,
insulting, or contains inappropriate material or excessively foul
language. Depictions of explicit sexual activity, as well as material
deemed offensive based on race, religion, gender, or sexual orientation
are not appropriate for this venue and may be rejected. Final decisions
in these matters will be made by the UWA Cultural Precinct.
MAJOR RULES FOR MACHINIMA
There is no limit to the number of entries you may choose to send in.
The theme is 'PURSUE IMPOSSIBLE' and you may interpret this theme as you see fit, however the average viewer would need to be able to appreciate how you fit this theme (alternatively, please indicate in the notes how it fits in the film notes on the web).
Your machinima must be made specifically for this challenge, and the following should be indicated in the opening credits 'For The University of Western Australia's MachinimUWA VIII: Pursue Impossible'
You do not have to film on the UWA sims, however this of course will be appreciated, and there is a Special UWA Prize which will be made available to a film which starts at the same point as the UWA Pursue Impossible Video, at Winthrop Clock Tower.
4 mins 30 seconds is the strongly recommended maximum length, but this is not a hard rule.
There is a prize pool of L$562,000 distributed across both art and machinima and at least 10 prizes in each. For Machinima, there will be a Special UWA Prize for the best machinima that starts at the same point as the UWA Pursue Impossible Video. There will also be a Curators Prize for art. There are also audience participation awards for just watching the machinimas and submitting a top 10 list.
METHOD OF ENTRY For Art
Place the artwork in the art entry receiver at the UWA Art Challenge platform (no perms required, but copy is appreciated if possible) along with a completed Artist Notecard (which includes your name, city, name of artwork and description of artwork) . If you have problems with the receiver, give artwork to Jayjay Zifanwe or FreeWee Ling. Blank NC templates available by touching the challenge notice at the UWA Art Challenge platform.
Load the Machinima anywhere, preferably youtube or vimeo, and provide the link to Jayjay Zifanwe & LaPiscean Liberty or email Jayjay (firstname.lastname@example.org)
*All work must be free of copyright issues. If requested, you must provide detailed information regarding the source, creator and background information of your work. If you utilize any 3rd party materials, such as music, textures, or prefabricated parts, you must have obtained permission from the creator(s).
* Films will not be accepted if they include excessively abusive, violent, offensive, bullying, harmful, insulting or inappropriate material, or excessively foul language, in particular where religious references are used. Depictions of gratuitous nudity or sexual activity may not be appropriate and may be rejected.
* Please acknowledge the works you feature, the lands where you film and any music or content that you use.
* If you need to rez (blue screen etc) at UWA sims, contact Jayjay Zifanwe or FreeWee Ling.
* If you have questions or want to discuss anything, please contact Jayjay Zifanwe
*All entries remain the property of the creator, however once entered, you agree to provide UWA, SL Artist & AviewTV non-exclusive, unrestricted, use in perpetuity in the known universe for educational and promotional purposes.
Professor Ted Snell (RL) - Director, Cultural Precinct, The University of Western Australia
Fred Mafrica (RL) - TV Producer & Host, The Couch (thecouch.com.au) - Machinima Only
Lyn DiCiero - Editor, WA Artist's Chronicle (Art Only)
Len Zuks (RL) - West Australia Artist & Sculpturist
Oron Catts (RL) - Director, SymbioticA, UWA (Art Only)
Jeremy Burton (RL) - Marketing Manager (Digital), UWA
Taryn Mokrzycki (RL) - Brand Manager, UWA
Reign Congrejo - Owner, BOSL (Best of Second Life)
Merle Hearns (RL) / Briarmelle Quintessa (SL) - Senior Lecturer, Foundation Studies Department, Manukau Institute of Technology, Auckland, New Zealand
Dr Helen Farley - Senior Lecturer (Digital Futures), Australian Digital Futures Institute - University of Southern Queensland
Carolyn Steele - Lecturer, Culture & Expression, York University
Temi Sirbu (SL) - Blogger & Journalist from Japan
Jake Bamford (RL) - Production Manager and Creative Director, WASTV (Machinima Only)
Inara Pey - Journalist & Blogger
TheDove Rhode - OWNER, CEO, CURATOR, JANITOR: S&S Gallery of SL Fine Art & Peace Is A Choice Gallery
Draxtor Despres - Media Producer, Europe
FreeWee Ling (SL) - Curator, UWA 3D Open Art Challenges
Kip Yellowjacket (SL) - Co-creator, Virtlantis
LaPiscean Liberty (SL) - CEO AviewTV and UWA Virtual World Technical Media Advisor
Mal Burns (SL), Metaverse News Aggregator and Broadcaster
Tom Papas - SciFi Film Festival & Screen My Shorts, Australia (FILM Only)
Saffia Widdershins (SL) - Owner and Editor of Prim Perfect Publications (ART Only)
Ziki Questi - Photographer & Blogger
Taralyn Gravois - Owner of Arts Castle Gallery
Bevan Whitfeld - Avatar Designer & Member of the Board of Directors, Rockcliffe University
Dousa Dragonash (SL) - COO Metaverse Television
johannes1977, Owner & Publisher, Windlight Magazine
Eleanor Medier, Publisher, Sim Street Journal
Thinkerer Melville (SL) / Selby Evans (RL) - Journalist & Blogger
Victoria Lennoire (RL) - Journalist & Blogger
Raphaella Nightfire - Part of founding team for UWA in Second Life
Jay Jay Jegathesan (RL) / Jayjay Zifanwe (SL) - Manager School of Physics/ Lead of UWA Virtual Worlds
PRIZE LIST FOR ART
1st Prize: L$60,000 + Feature on Cover of BOSL Magazine
2nd Prize: L$40,000
3rd Prize: L$30,000
4th Prize: L$20,000
5th Prize: L$10,000
6th - 10th Prize: @$5,000
Curators Prize: L$35,000
Additional L$41,000 for audience participation
(prizes given to audience members whose top 10 lists most closely align to the final juried top 10)
PRIZE LIST FOR MACHINIMA
1st Prize: L$60,000 + Feature on Cover of BOSL Magazine
2nd Prize: L$50,000
3rd Prize: L$40,000
4th Prize: L$30,000
5th Prize: L$20,000
6th - 10th Prize: @$5,000
UWA Special Prize: L$35,000 (awarded by UWA members of the committee)
Additional L$41,000 for audience participation
(prizes given to audience members whose top 10 lists most closely align to the final juried top 10)
* Special thanks to Eliza Wierwight for the event poster design and for all her support
* Special thanks also to the creator of some of the spaces at UWA. These include FreeWee Ling, Chuckmatrix Clip, quadrapop Lane, Nyx Breen, Bradley Dorchester (Bradley Curnow, RL). Dragonmage Bogan (Dr Chris Thorne, RL), Sharni Azalee & Minny Werefox (Minh Tran, RL).
We have received the first two entries for the UWA 3D Art & Machinima Challenge: PURSUE IMPOSSIBLE. First up is our Australian friend Carmsie Melodie, who gives us a wonderful immersive homage to Thomas Edison, who epitomizes the theme of pursuing the impossible.
Next up is a conceptual piece by Chic Aeon titled "In Search of Perfection" that starts with a walk down a long corridor.....
Deadline for both 3D art and machinima entries for PURSUE IMPOSSIBLE is 31 October. All entries are eligible to compete for cash prizes and will be included in the official exhibition catalog to be published as part of the UWA SiVA series.