Monday, June 16, 2014

The Freedom Project Interviews: By Taralyn Gravois & Petlove Petshop


The Freedom Project: Virtual Ability in Second Life from Petlove on Vimeo.

Art curator Taralyn Gravois embarked on a series of interviews with various artiusts involved in UWA's Freedom Project, and this was expertly crafted into a film by Petlove Petshop, and this is their creation! It carries a number of direct interviews and also shows off all the works that were submitted to the event.

The Freedom Project is a 2D/3D Art & Film Event organized jointly by the University of Western Australia, along with members of the Virtual Ability Group, and the Centre for ME/CFS and Other Invisible Illnesses Group in Second created an artwork or a film/machinima or in fact a personal story on the theme of ‘Freedom’, showing how virtual worlds have in some way helped them or those around them. 

This event is to thank all the artists, filmmakers, and writers for contributing their works and of themselves, as well as to thank the many individuals, groups and organisations who made this possible, including Eliza Wierwight, who created the poster for this event,  David Doyle & Simone Flavelle of DADAA's stARTSPEAK Project, Tom Papas & Screen My Shorts Inc. (Sydney), West Australian artist, Len Zuks,  Beverley Hill of UWA's Equity & Diversity Office, Craig MacKenzie and Deborah Bolton of UniPrint,  TheDove Rhode of Peace is A Choice Gallery, Taralyn Gravois, AviewTV and LaPiscean Liberty, Eleanor Medeir and The Sim Street Journal as well as Kit Guardian and Guardian 11:11 for their multifaceted commitment towards the event as well, also iMoogi TV (imoogi.tv) and Nu Vibez Magazine (nuvibezmag.com) led by Filipa Thespian.

A book is being produced at the moment carrying images of all the artwork and machinima stills from submissions to the Freedom project. This is an endeavour being carried by by UWA curator of virtual arts, FreeWee Ling. Stay tuned.

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Friday, June 6, 2014

SL used for Postgraduate Law Degree teaching @ UWA



A Second Life machinima has been custom made for the first time for one of the major units for a degree programme at UWA with the efforts of UWA Associate Professor Natalie Skead, former champion of the international UWA film challenges, Laurina Hawks from the town of Ulm, Germany, and UWA virtual worlds founder Jay Jay Jegathesan.

The brilliant short film (machinima) "Equity & Trusts: Estoppel Tutorial", was created by Laurina based on a script written by Professor Skead for the LAWS5103 unit, Equity & Trusts, which is a 2nd Year compulsory postgraduate unit for the Juris Doctor (law degree). It was shown to students during tutorials that were a trigger for discussions on the Estoppel principle of law.

Associate Professor Natalie Skead
Student evaluation of the film was undertaken at the end of the tutorials by way of a simple questionnaire asking:
1. Did you enjoy this exercise? If so why? If not, why not?
2. Did you find this exercise worthwhile? If so, why? If not, why not?
3. Would you suggest I use second-life videos to present fact scenarios in the other problem-solving tutorials in this unit?

The student responses to the questions were unanimously ‘yes’. 

Reasons given for students enjoying the exercise and finding it useful included:

  • It showed how many small aspects of situations are important
  • Facts were gradually exposed over time
  • Couldn’t refer back to fact sheet – more challenging
  • I’m a fan. It was something different, excellent to be able to examine the circumstances and allow for further ‘client interview questions’
  • The interpretation of statement and the hunt for facts
  • It allowed me to assess the situation more fully – nuanced!
  • Taught me to listen exactly to what is being said

Commenting on the experience, Professor Skead observed, "From my perspective as a teacher presenting the facts visually in a movie resulted in a far more rigorous and detailed assessment of the facts. What is wonderful is that it included all the  non verbal aspects of communication while seeing the actions and hearing the words. Laurina did a brilliant job allowing for nuances in the film, even capturing things like stammering and facial expressions important in conveying the story."

Professor Skead observed that the discussion that resulted was far more sophisticated and detailed as compared to previous exercises conducted using more conventional methods, as 'Second Life' was a very valuable tool for connecting students to 'real life' experiences.

Founder and lead of UWA 3D virtual projects, Jay Jay Jegathesan, manager of the School of Physics at UWA explained, "We are absolutely thrilled at how successful this has been, and hope to continue supporting more and more areas in the targeted use of Second Life where it adds value. We have the far have had various activities and outcomes across the School of Business, School of Education, School of Physiology, Anatomy and Human Biology aside from this newest venture with the School of Law. This is an exciting development, and institutions across the globe are looking to UWA's leadership in this area, the most recent being the Digital Educaion Show Asia in Kuala Lumpur in May 2014 where a number of presentations were delivered on how UWA has used virtual worlds to support teaching, research, architecture, international community development, art & film."

Presentation at UWA eLearning Expo (Friday 6th June 2014)

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LEA FULL SIM ART SERIES (June 2014): Krystali Rabeni's 'A Maze in Grace'


The brilliant Krystali Rabeni is at the helm for the June round of the 4th cycle of the LEA Full SIM Art series at LEA 6. A full list of the LEA Full SIM offering since inception in 2011 can be found HERE.  Anyone interested in applying for any month between July 2014 and April 2015, please contact Jayjay Zifanwe with your interest and preferred month.

A MAZE IN GRACE: 

LAUNCH: 12.30AM SLT, Friday 6th June 2014
LOCATION: HERE AT LEA 6

In Krystali's words:

"Labyrinths are arguably mankind’s first creation borne purely of human imagination. Today, labyrinths and mazes cradle millennia of legend and folklore in their twisted articulations. 

Labyrinth and maze imagery has at different periods of time in various parts of the world been associated with all aspects of human life. It has been used as a symbol of fertility and birth, as well as one of purgatory and death. It has religious and meditative importance in Hindu, Christian, Islamic, Buddhist and Shamanic rituals. 

A Maze In Grace has no map, just as life has no map. It is not perfect, just as life is not perfect. Take your time as you wander along the watery path through the twists and turns until you reach the center where you will find a celestial labyrinth. Some will take the long path, some will take the short path through the maze but there is no rush, no race, no time, just you and your thoughts."

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Friday, May 23, 2014

LEA6 May Full Sim Cyber Orthodox by Ballyhoo, review by Victoria Lenoirre

This month of May LEA6 hosts Cyber Orthodox by Igor Ballyhoo. Come on over to see it!


You will find a few docks along with lots of water. The whole scene is situated within 4 dark walls or fencing. Igor went with a more simple look. It's a major change from the terrains of past LEA sims.

The walls encased his entire build and it set a somber, grave mood. All around you see black. Interspersed are dots of color like the apple and the intricate clock.

In Igor's words:

"In whole university of sensations, thoughts, opinions and other kinds of influences created by human since beginning I am more impressed by the energy they spend to convince others that their way is only right one then by ideas that they try to spread. ORTHOS ("right", "true", "straight") + DOXA ("opinion" or "belief") is always reminding me of question which clock is most accurate in universe? Closest to answer of that would be “the one that doesn't work since it shows exact time twice a day” and I doubt even that. Our knowledge about existence is so modest that in the spirit of non working clock most accurate answer to question how did everything start would be “HOW THE F*** WOULD WE KNOW”. And I am quite comfortable with not knowing, it gives me space to accept any possible scenario, “GOD made us”, “GOD doesn't exist”, “all started with the big bang”, “who said we are actually existing”, “we do exist and in more dimensions then one”... For me, it is all possible and everything is unprobable, since – how the f*** would I know? "



I am struck with wonder and  I feel a stillness as I wander around this colossal build. 



I feel isolation. I feel loneliness. It's like a vast area dotted with wordly objects and entities that don't seem to fit together in the scheme of things, but look closely. There's a clock, an apple, a one eyed cyclops. The cyclops represents the one-eyed man with the narrow vision, reference is from a Tom Waits song. 

Like always, I found a chance to interview this great artist this month.

What are those green objects with wings surrounded by the transparent cubes?

I.B: Horses.



What is that cluster of globular like candles surrounded by a cloud?

I.B: Few years ago I was in some small church somewhere in Greece and they had some kind of village saint ceremony. It was mid august and it was terribly hot. Preacher had just his cape made of gold threads and no shirt, he was sweating like crazy. Church was full of old people, grandmothers all in black with almost no skin exposed. Lot of candles was lighted and they were melting. Whole place had really strong smell on sweat, candle-wax, incense and what not (filthy feet) and in one moment all that scene started to melt in my mind, it all visually stretched, up was down, down was up. I didn't faint or anything just one simple but strong hallucination. I tried to present it abstracted here inworld, no idea how much I succeeded since... no smell.



Why are there holes in the wall surrounding your build?

I.B: Right question would be "why are there walls?". Walls are necessary evil to visually separate my work from neighBORING sims (one of them looks like fuckin' sandbox, the other one is just plane ugly sim). About holes, they are there since I hated walls, needed some wind to go through them so I prevent that church smell on my sim.


Why is an apple surrounded by a net?

I.B: That is an GMO apple. It all started with an GMO apple. Apple is of course symbol of thing that cost us heaven. So my question is: "what if this what we had so far was heaven and now we are tasting apple that will doom us? Science brought us some really amazing achievements but when science is profit oriented, it's products belong to the dark side.


Your statement that includes "how the f*** should we know?" seems very frustrated and open. What do you think should be the better attitude that people should have about the world? Notice that I didn't say "right."

I.B: I am not frustrated, I just have bad manners so I swear a lot, everyone who knows me knows that. About "what I think would be better attitude" I will answer in next question.


Do you believe that there is a thing called "right", does it even exist?

I.B: There is right and there is also left. There is up and down, there is also depth and behind and there is infinite many directions among this crude few. In my opinion, people should widen their mind, we should think both right and left in same time. We should not claim one true belief. If you need illustration how you should think, just imagine your mind is universe. There is no one true direction in universe. I am horrified with those who refuse to let their mind expand. If expansion is good enough for universe, why would it be bad for you?

As of May 2oth,


Past few days my country is affected by Biblical size floods that were never recorded in our history. Tens of thousands people is evacuated from their homes and thousands of homes is under water. As you can understand, human lifes are most valuable to save but uncounted number of animals lost their lifes. This morning I have wake up with news that more then 100 tons of dead animals is gathered just from one city. And it is not over yet...

In this light, for solidarity, I have decided to flood my new ongoing work “Cyber Orthodox”  in LEA 6. I left peaks of work above, same as rooftops of houses are above in this floods.

Igor Ballyhoo

So please come see it while you can, at LEA6.

Have fun and enjoy the art!

-Victoria Lenoirre



Sunday, May 11, 2014

LEA FULL SIM ART SERIES (May 2014): Igor Ballyhoo's 'Cyber Orthodox'




Igor Ballyhoo, of legend,  is at the helm for the first edition of the 4th cycle of the LEA Full SIM Art series at LEA 6. A full list of the LEA Full SIM offering since inception in 2011 can be found HERE. Anyone interested in applying for any month between July 2014 and April 2015, please contact Jayjay Zifanwe with your interest and preferred month.

CYBER ORTHODOX:  HAS LAUNCHED AND IS OPEN THROUGH 30th May 2014

Visitor's to the Sim can click HERE to TP to the start point



In Igor's words:

"In whole university of sensations, thoughts, opinions and other kinds of influences created by human since beginning I am more impressed by the energy they spend to convince others that their way is only right one then by ideas that they try to spread. ORTHOS ("right", "true", "straight") + DOXA ("opinion" or "belief") is always reminding me of question which clock is most accurate in universe? Closest to answer of that would be “the one that doesn't work since it shows exact time twice a day” and I doubt even that. Our knowledge about existence is so modest that in the spirit of non working clock most accurate answer to question how did everything start would be “HOW THE F*** WOULD WE KNOW”. And I am quite comfortable with not knowing, it gives me space to accept any possible scenario, “GOD made us”, “GOD doesn't exist”, “all started with the big bang”, “who said we are actually existing”, “we do exist and in more dimensions then one”... For me, it is all possible and everything is unprobable, since – how the f*** would I know? "



Thursday, April 24, 2014

Victoria Lenoirre's April Review at LEA 6 Heartseed The Wild Side by Jedda Zenovka

Here at LEA 6, it's looking like a wild Spring. We are pleased to have Jedda Zenovka occupy the LEA 6 sim with her work, Heartseed The Wild Side.

Across from landing area, Heartseed by Jedda Zenovka


"One of the things I love about creating in this medium is that you can express the energy so easily."

Animism is the spiritual belief that everything is alive. I try  to recreate this within the digital domain. Cybertech designs that fuse naturally with organic forms; water, sounds, plant-creatures, inter-dimensional entities that blend into the ocean forest ecology of my environments so that it is impossible to tell where one ends and another starts.

Take a wander  through a textured cyber-original landscape which evokes healing emotions and crystallises into moving, living sculptures; descriptions of ideas and experiences inspired by both human life of aspirations and necessities and with the practicality of hands-on permaculture in the rain forest.

While our minds and imagination evolves into the digital domain, our hands and naked feet remember the earth and other elements from which we are made. Dream time in this sense is the crossing over of two worlds; vision becomes solid and solid becomes visionary. It is instinct and the heart which guide us into and through this journey. The freshness of water, the spirit of a particular plant or mineral, is crafted into new form; the artist becomes the living conduit through which such essences express themselves.
Reach for the stars . .. Put your hands in  Earth!


jedda zenovka

Imagine a world of wonder and eerie stillness. Imagine a world of trance and alienlike structures...welcome to Heartseed!

Arriving here I first noticed the grayness. I admit to being startled. Gray was the color furthest from my mind after learning the name of this installation. Zooming out I see Heartseed in neon red on a booth. It's at once soothing and welcoming at the same time.

Feel free to explore this alien world that is also comforting. Get lost in the ambiance!

Heartseed landing point and me


On the night of the 12th, DJ Larretronix (Larre Leborski) was spinning Psytrance tunes from 7-9pm SLT. It was a fun night to dance and mingle.

Jedda was kind enough to answer my questions. I even got to see her build a little. I love her enthusiasm and spirit.

Why did you name your work Heartseed The Wild Side?

My home place is called  Heartseed  coz if you plant  a seed  it will  grow into some thing beautful. And  my  art  comes under the banner of  wild designs.

What does your work say about nature and human nature?

I try to  create  an alien landscape   of psychedelic fun and beauty, expressing  lament that  can't be  expressed  live in may other mediums.

Do you believe that technology and nature can coexist in a way that won't hurt either one?

I think  nature  should be  left alone to sort it self out  and  we should stop messing  with it  and  trying  to   control it.

And show some  respect to the great  gift this planet gives us.

Technology is great of course here i am using it... But nothing beats  the basics  of  growing a few  vegetables...

What is your hope for the future of life?

My hope is  that  we can  all stop  squabbling and  realise we have only one planet  and  start  trying to heal it  and take good care of what's left for future generations.

Where else do you have work showing in SL?
I have  built  few places:

"Heartseed" WILD DESIGNS SHAMANICA organica, plants, mushrooms
This is my home base.

**ORGANICA** earthbound
Organica Bay
LOOP Europa
And these are gathering spots for  people to share art and music.

How did you get started doing SL art?

I rezzed a  cube  and got hooked.. I don't know where  else I could express  in the same way  that I can here. There is so much  energy  available  to tap into. I love the spontaneity it allows us.

How would you describe your journey in SL so far?

It's amazing, I meet so many wonderful, supportive characters in here. I learn so much constantly, every  day something new.

I have made  some  amazing  friends. I love the freedom  there is  to express myself creatively in here.

Thank you Jedda Zenovka! It's a fabulous sim this month!

So please visit LEA 6 this month! Be entranced by HEARTSEED!

Have fun and enjoy the art!

-Victoria Lenoirre



Friday, April 11, 2014

LEA FULL SIMART SERIES (April 2014): Jedda Zenovka's 'Heartseed: The Wildside'


The otherworldly Jedda Zenovka is at the helm for the final edition of the 3rd cycle of the LEA Full SIM Art series at LEA 6. A full list of the LEA Full SIM offering since inception in 2011 can be found HERE. Anyone interested in applying for any month between May 2014 and April 2015, please contact Jayjay Zifanwe with your interest and preferred month.

HEARTSEED: THE WILDSIDE HAS LAUNCHED AND IS OPEN THROUGH 30th April 2014

Visitor's to the Sim can click HERE to TP to the start point

In Jedda's words:

"One of the things I love about creating in this medium is that you can express the energy so easily." 

Animism is the spiritual belief that everything is alive. I try  to recreate this within the digital domain. Cybertech designs that fuse naturally with organic forms; water, sounds, plant-creatures, interdimensional entities that blend into the ocean forest ecology of my environments so that it is impossible to tell where one ends and another starts.

Take a wander  through a textured cyboriginal landscape which evokes healing emotions and crystallises into moving, living sculptures; descriptions of ideas and experiences inspired by both human life of aspirations and necessities and with the practicality of hands-on permaculture in the rain forest.

While our minds and imagination evolves into the digital domain, our hands and naked feet remember the earth and other elements from which we are made. Dreamtime in this sense is the crossing over of two worlds; vision becomes solid and solid becomes visionary. It is instinct and the heart which guide us into and through this journey. The freshness of water, the spirit of a particular plant or mineral, is crafted into new form; the artist becomes the living conduit through which such essences express themselves.

Reach for the stars . .. Put your hands in  Earth!"

Monday, March 31, 2014

Sean Tempest & Jedda Zenovka Top UWA's "What Makes Us Human?" Challenge


Sean Tempest (Michigan, USA) - Orthopedic Medical Lab

A detailed and interactive entry by Sean Tempest titled 'Orthopedic Medical Lab' topped UWA's 'What Makes Us Human' Challenge, the first time 'realism' took priority over artistic licence in a 3D challenge at UWA. In winning the top prize, Sean's creation,which can be seen here, takes home L$81,250, with Jedda Zenovka's 'The Female Reproductive Organs' taking home the L$62,500 2nd prize.

Jedda Zenovka - The Female  Reproductive Organs
“What Makes Us Human?” is an event run by UWA and sponsored by the School of Anatomy, Physiology and Human Biology as well as the School of Physics. 3D creators were encourages to create a model, animation or simulation that reflects what makes us human at a cellular, organ, or system level such that the creation was a fairly accurate or representative model that couldbe used for teaching. The aim of this challenge is to identify creations that allows for others to learn anatomical, histological, developmental and/or physiological concepts about the human body from the works submitted.

Jointventure (Bremen, Germany) - Skeleton
Both the 3D works titled with the same name of 'Skeleton' by the German creator, Jointventure was considered by the judging panel as a singular work and awarded the 3rd prize of L$37,500, with Misprint Thursday's elegant and unusual, 'Takotsubo Cardiomyopathy' taking 4th (L$18,750).

Misprint Thursday (New Hampshire, USA) - Takotsubo cardiomyopathy
The judging panel, led by UWA Professorial Fellow, Stuart Bunt of the School of Anatomy, Physiology and Human Biology, awarded 5th prize (12,500)  to Danuc Landar's elegant creation, Circulatory System: Right Hand. Members of the panel noted that Danuc's anatomy related creations had been widely used across Second Life by artists and others for use in their creations due to the elegance of Danuc's works.

All these creations and more can be seen in front of the Anatomy, Physiology & Human Biology Building at UWA. CLICK HERE TO VISIT THEM.

Friday, March 28, 2014

Machinima Challenge: Project Homeless (REGISTER NOW!!) - North Bondi RSL Increases Pool to Beyond L$2.5Mil




Project Homeless is a short film challenge to raise awareness about the Homeless. Filmmakers from around the world will have 30 days beginning the 11th of April to make a short film about subjects relating to homeless people (including veterans).

The North Bondi RSL Sub-Branch (Australia) is offering a special award of AUD 1,000 for the best film made about returned veterans (returned servicemen),

"It's a real privilege for us to be involved in this initiative" said Robert de Graaf, President of the North Bondi RSL Sub-Branch, "because it brings attention to the veterans who are homeless"

Those intending to participate are asked to register now!

*As Below is the original post from the launch with full details:

OVERVIEW
Project Homeless 2014 is a Challenge run by Screen My Shorts Inc & UWA in partnership with and sponsored by the Parramatta City Council.We invite entrants of all ages, cultures and ability to submit original creative digital content (conventional film and/or machinima) and win a share of the AUD 10,000 (L$2.28 Million) cash and prizes (with at least AUD 700  reserved for Machinima), and have their works exposed on the international stage. 

Entry fees for machinima style film are being sponsored by the University of Western Australia.

Project Homeless is a worldwide initiative for filmmakers to help raise global awareness through stories on film. Those who register are asked to nominate 2 of the themes, and the organisers will allocate one of the 2 nominated themes to entrants on the 11th of April 2014. The entrant will be given full freedom to explore and interpret the theme allocated (you may be as creative as possible in your interpretation).

The closing date for all entries will be the 11th of May 2014,  we urge registrations to be submitted before the 11th of April 2014 (as your final theme will be allocated on the 11th of April). Register via the Screen My Shorts Website, or details could be emailed to jay.jay@uwa.edu.au.

The overall competition is open to both conventional film and machinima. Machinima entries are in the running for the overall prizes, however special prizes are also set aside for Machinima entries only.

ESSENTIALS
1. Only G or PG rated films will be accepted
2. Entry length to be between 3 to 10 minutes
3. Registration is Essential
4. All entries are to be made specifically for the Project Homeless Competition
5. Register before the 11th of April & nominate 2 of the listed themes 
6. AUD 10,000 in Prizes available with at least AUD 700 reserved for machinima
7. Main website for challenge is  http://screenmyshorts.com/?page_id=1629
8. Please read and be familiar with the Official Rules and the 10 Step Guide

 *This is not a continuation of the UWA MachinimUWA series, but a collaboration with Screen My Shorts, hence the more detailed rules, etc as per the website

HOW TO REGISTER
1. Strongly suggested to register via the website HERE (http://screenmyshorts.com/?page_id=1631)

2. Send an email (or a NC inworld) with the following details to jay.jay@uwa.edu.au:
  * Second Life Name
  * Team Name (If Applicable)
  * Email Address
  * City & Country
  * 2 Nominated Themes in Order of Preference

PRIZES
Parramatta Prize for Best Film – AUD$5,000.00
1st Finalist – AUD$500.00
2nd Finalist – AUD$500.00

Best Cinematography – AUD$300.00
Best Editing – AUD$300.00
Best Script – AUD$300.00
Best Music/Sound – AUD$300.00
Best Performer (Male or Female Actor) – AUD$500.00
Best Student Film Under 14 – $300.00

Parramatta Prize for Best Machinima Film – AUD$300.00
1st Finalist – AUD$250.00
2nd Finalist – AUD$150.00

Parramatta Prize for Best Documentary – AUD$1000.00
1st Finalist – AUD$300.00

Tuesday, March 25, 2014

The Freedom Project Thank You Ceremony & Exhibition Launch - Full Ceremony Transcript


Sunday the 23rd of March, saw an end, as well as a new beginning to the Freedom Project which kicked of on the 1st of September 2013. A thank you ceremony was held for all the artists, film makers and writers who participated in the project as well as an official launch of Freedom project artworks at the UWA Virtual gallery.

Thank you announcements by Dianne Elton, Gentle Heron, FreeWee Ling, Taralyn Gravois and Jay Jay Jegathesan
This unique event, organized jointly by the University of Western Australia, along with members of the Virtual Ability Group, and the Centre for ME/CFS and Other Invisible Illnesses Group in Second called for artists and filmmakers from around the globe who self identified as having a disability or chronic illness, to create an artwork or a film/machinima or in fact a personal story on the theme of ‘Freedom’, showing how virtual worlds have in some way helped them or those around them. 
40 remarkable works were received from Japan, France, Italy, Canada, Australia, the Netherlands, the USA and Great Britain among others, along with poignant reminders of how virtual worlds have the ability to do far more than most people unfamiliar with virtual worlds, might imagine.

The SIM was packed to its set limit of 45 to ensure integrity
As follows is a transcript of how the ceremony unfolded:

JAYJAY:
Greetings everyone, and welcome to the University of Western Australia, or UWA as she is known. As is tradition at UWA, I would like to acknowledge that the University is situated on Nyoongar land and that the Nyoongar people remain the spiritual and cultural custodians of their land and continue to uphold their values, languages, beliefs and knowledge.

The Freedom Project which called on artists and film makers and writers from around the world to to show us how virtual worlds have helped numerous people from all walks of life to overcome the seemingly insurmountable challenges has truly been a remarkable event. This has been so because of all of you here today who have been so willing to share of your wonderful artistry and writing showing us all the 'Freedom' virtual worlds can bring. This event would not have come about if not for 3 amazing people, our co-organisers, Gentle Heron representing the executive team of Virtual Ability, Inc., as well as Dianne Elton for the Centre for ME/CFS and Other Invisible Illnesses and FreeWee Ling, UWA virtual arts curator.

All of us would agree though that the real stars are all of you... who have brought us 40 soulful and thought provoking works of art, machinima and stories, hailing from all across the globe, from Strasbourg, Toulouse, Dawsonville, Osaka, Greenbay, Blackpool,  Salem, Tampa Bay, Perth, Tasmania, Warwickshire, Houston, Kansan, North California, Berkeley, Milan, Northern Rivers, Dallas, Detroit, New Mexico, Tenessee, Berlin, Tampa Bay, Ohio, Den Bosch, North Georgia, the island of Kaua'i, in Hawaii and from parts unknown in Canada.

I'd like to ask Dianne Elton of the Centre for ME/CFS and Other Invisible Illnesses to say a few words:

DIANNE ELTON:

Thank you Jayjay. I would like to begin by introducing myself to those who may not know me.

I am part of the organising committee and I represent the Centre for ME/CFS and Other Invisible Illnesses in Second Life.  M.E. is the acronym for Myalgic Encephalomyelitis and the acronym for CFS is Chronic Fatigue Syndrome. 

M.E. is a little understood illness, (even for those who have it).  At the Centre in SL, we provide help and support for those with ME/CFS and other invisible illness.  Members can attend guided relaxation sessions 4 times a week to help manage pain and symptoms. There is a weekly research discussion group, a weekly support/chat group, and a book group, all where people can meet in real time from the comfort of their homes, and even from the comfort of their beds and receive help and support from other sufferers. Many of these people cannot leave the house or even their beds, in real life.  The Centre also houses a resource library and a Creative Works Gallery.  If you would like to visit the centre in SL, I can give you a Landmark later. 

However, enough about me and the Centre for ME/CFS and Other invisible Illnesses. The most important part of today’s event is of course this thank you ceremony for all the contributors to the Freedom Project. I support and add to Jayjay in welcoming you all here today.  I am really glad that you have managed to attend. I sincerely congratulate you all on this truly wonderful exhibition.
For some of you, the work of putting together an entry has been quite a physical and mental effort.  I hope any of you who had a crash after putting in an entry, have made a reasonable recovery from your efforts and I hope you thoroughly enjoyed the creative process. We thank you not only for your amazing creations, but also for your honest, open and very moving and very inspiring stories. Through your creative works and your personal stories, this exhibition raises the awareness and the consciousness of those in normal health, and invites them into the worlds of those who live with illness and disability day to day.

When one has an illness or disability, it’s not uncommon to feel that the wider community, and sometimes even friends and family – and (dare I say it), even doctors sometimes do not understand what we go through. This exhibition demonstrates in a really wonderful, creative and inspirational way, that although people with illness and disabilities may be limited in real life, they are not limited in spirit, joy, determination and creative expression.

Someone said to me recently, when I told them about this project, “Why would they sit at the computer all day? They should be out in real life enjoying it.” She had no understanding that sometimes, because of illness and / or disability, the way one can operate in real life may be severely curtailed. To quote the words of a good friend of mine (Jane Olsen), “the Freedom Project transcends its virtual location, in my opinion, because of the deep artistry and emotion of the submissions.” For those of us here today, Second Life is not a game nor fantasy, but an extension of real life. It’s a place where we can be creative and expressive and socialize.

Many of us are cut off from real life because of illness. However, SL should not be seen as separate or alien from Real Life, rather, it is an extension of it, providing an opportunity for those who are otherwise isolated, to participate in a wide range of events. It also allows us to connect with others, be they healthy or challenged physically or mentally in some way on. The creative process therefore transcends Second Life ….it is Real Life.

To conclude, it is wonderful to be part of this Freedom Project. It has been a privilege to meet so many of you and to provide help to some of you with the process of presenting your entries and writing your stories. Thank you to all who have participated, to those who helped manage the Project and to those who have sponsored and supported the event.

JAYJAY :
And now I would like to invite Gentle Heron of Virtual Ability Inc. to share her thoughts:

GENTLE HERON:

Thank you. I’m pleased to represent the Virtual Ability community here tonight.

Dianne talked about disability; I want to talk about art! We have artists from all over the physical world, and from many different disability communities within Second Life.

Art has been an important part of human culture since our Stone Age ancestors painted the walls of the caves in which they dwelt. We use art in many ways. Art can be used for decoration of person or surroundings, declaration, instruction, warning, social commentary, religious ritual, even recording historical events. Perhaps the most important use of art is to communicate our feelings.

Both the creator and viewer of a work of art are interpreting the subject of that item. In this exhibit, numerous artists express their feelings about how being part of a virtual world has offered them the freedom to express themselves, to enjoy life, and to live more as they want to live. I invite each attendee tonight to spend time with at least one piece of artwork here, one that speaks directly to you, that moves you emotionally. Ponder it. Let it sink into your heart and brain. Feel what the artist felt when creating the work. Invite a friend to view the artwork with you, then find a quiet place to sit and talk about it.

Several academic researchers are thinking about how the affordances of virtual worlds impact people with disabilities. They need only attend this art exhibit to learn a great deal about that subject.

Thank you, JayJay and the University of Western Australia for hosting this event, and thanks to all the people who helped make it successful.

JAYJAY:
Before I hand over to FreeWee to speak about where we go from here, and also to officially launch the  exhibit, I want to officially thank all our sponsors and supporters, through whose contributions see the support for this project exceed L$670,000. I want to acknowledge co-sponsors Eliza Wierwight, who also created the beautiful poster for this event, David Doyle & Simone Flavelle of DADAA's stARTSPEAK Project, Tom Papas & Screen My Shorts Inc. (Sydney), West Australian artist, Len Zuks,  Beverley Hill of UWA's Equity & Diversity Office, Craig MacKenzie and Deborah Bolton of UniPrint,  TheDove Rhode of Peace is A Choice Gallery, Taralyn Gravois, AviewTV and LaPiscean Liberty, Eleanor Medeir and The Sim Street Journal as well as Kit Guardian and Guardian 11:11 for their multifaceted commitment towards the event as well, also iMoogi TV (imoogi.tv) and Nu Vibez Magazine (nuvibezmag.com) led by Filipa Thespian and of course Professor Ted Snell, Chairman of Visual Arts for the Australia Council and Director of UWA's Cultural precinct, who pointed us to the theme for this event.

Thanks to all of the support, we decided, rather than selecting a few of the artworks for special recognition, every single one is worthy, and as such all of you will receive L$7,500! Over to you FreeWee!

FREEWEE LING:
Thank you JayJay. I would first like to thank my team members, Gentle Heron and Dianne Elton, for their active participation in every step of putting this show together. The Freedom Project would not have been nearly as successful without their great work.

I also thank the many artists who have been so generous with their work and their stories. I can honestly say that I am as proud of this show as any we have ever done. And you should be proud, too.

I was not sure what to expect when we started this project, but it was clear from early on that we had some very talented people who had something to say. It also became clear that the community at large was very interested in the idea. We have had several blog posts and the Freedom Project team has been invited to do a presentation at the Virtual Worlds Best Practices in Education conference next month.

In addition to the many artists we have not seen in our previous shows at UWA, I was especially gratified to have submissions by several of our veteran artists, some of the top artists in SL, about whom I had been unaware of their disabilities. I think we have clearly demonstrated that SL is an empowering and inspiring creative environment.

Your work and your stories will be published in a new edition of UWA Studies in Virtual Arts (UWA SiVA), an official university online journal. You can see previous editions at: http://uwainsl.blogspot.com/p/uwa-siva.html

And for the first time ever, we are delighted to announce that every participant in the Freedom Project will receive a nicely printed copy the journal upon publication. I am currently assembling image files and editing the text, and I hope to be able to deliver the volume to the printers within a few weeks. Please be sure we have a mailing address for you. We'll be contacting you about that soon.

Machinimist Taralyn Gravois will also be making a video documentary about the show. Right now I'd like to turn the proceedings over to Tara for a moment.

TARALYN GRAVOIS:
Hello, I'm Taralyn Gravois. This exhibit is beautiful..and very thought provoking. I would like to make a video that will get some of your thoughts about your artworks. For those of you that feel comfortable talking in audio I will be here next Sunday 4pm-7pm. I will just need each person for 5-7 minutes to ask them about their artworks. I can also translate for you if you want to answer in text.  So please send me an IM if you are interested.

FREEWEE LING: 
Related to the journal, I may be asking for your help. Specifically, I will be editing the text you provided to us for your entries. This is the text in the notecards that are given at each entry when someone clicks on your name.

I will be formatting the text for the book, correcting spelling and some punctuation, and possibly correcting grammar. But I will try to remain as faithful as possible to your statements. If you want to review your stories before I start working on them, please let me know ASAP so I can wait for your revisions. I will try to let you review my edits before publishing, but you will need to approve any changes I make quickly.

Please let me know any concerns or questions you may have about this. I'm always happy to talk to artists to make sure you are happy with the process as well as the result.


A dedication was made to the Freedom Project by Aquaglo in the form of a lovely machinima titled 'I Walk Alone'.